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The First Associate Reformed Presbyterian Church was designed by James McMichael, an architect of local and regional importance who fashioned literally hundreds of churches.  This Gothic Revival style building has most of the defining characteristics of that architectural motif.  These include the pointed-arched windows with tracery, battlements, and finials.  The building, completed in 1925, was one of many imposing churches that once lined North Tryon Street.  
The First A.R.P. Church experienced a disastrous fire on the night of November 14, 1985.  The entire interior of the granite-walled building was destroyed, as were the windows.  The building stood empty for almost fifteen years.  The Historic Landmarks Commission received a considerable amount of criticism when it voted to recommend the designation of  the church  as a historic landmark.
In 1998 Bank of America decided as part of its commitment to the revitalization of Uptown Charlotte to transform the First A.R.P. Church into studios and galleries for visual artists.  Because the building was a historic landmark, the Historic Landmarks Commission had to exercise design review.
One of the most controversial issues was the construction of an 8' high metal fence around the rear yard of the site. Bank of America argued that the fence was needed to provide security for artists coming to the site late at night.  After careful consideration, the Commission decided that the fence did meet the Secretary of the Interior's Guidelines.  First, it is a reversible act.  Second, there is precedent for fences in the neighborhood.
The is the southern facade of the First A. R. P. Church.  Look carefully and you will see a gable-roofed building just to the rear of the church.  This is a new building.  The Commission insisted that the building not mimic the design of the main sanctuary.  The Commission did not insist that the historic interior be recreated.  The fire, however unpleasant, is part of the building's history.
The Commission also did not require that the windows be returned to their original appearance.  All the original glazing was destroyed in the fire.  The Historic Landmarks Commission, like all public historic preservation agencies, must recognize that adaptive reuse projects cannot be treated as academic restorations.
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